HPPAA PROGRAM

Jazz History
& Research

ARCHIVES · SCHOLARSHIP · ORAL HISTORY · PERFORMANCE · PUBLIC ACCESS

HPPAA researches, preserves, interprets, and shares jazz history through archival collections, recorded interviews, documentary media, scholarship, live performance, and public education.

The program begins in Texas but extends into the wider history of American jazz — connecting musicians, researchers, recordings, institutions, and cultural memory with audiences today.

Loren Schoenberg, Dan Morgenstern, and Phil Schaap during a jazz history interview at the National Jazz Museum in Harlem in 2018.
Loren Schoenberg, Dan Morgenstern, and Phil Schaap at the National Jazz Museum in Harlem, 2018. Photograph © 2018 Hank Hehmsoth · Image rights

RESEARCH COLLECTIONS

Jazz history through collections, people, and sound

HPPAA’s jazz-history work is organized around research collections and public projects. Some begin with a Texas musician or community; others preserve conversations, television performances, oral histories, and archival materials whose significance reaches across the history of jazz.

COLLECTION 01

Texas Jazz History

Research, performances, archival documentation, and public-history projects exploring Texas musicians and their national influence. Eddie Durham is a central focus, joined by work involving Kenny Dorham, Texas jazz scholarship, museums, festivals, and living repertoire.

EXPLORE TEXAS JAZZ HISTORY →
COLLECTION 02

The History of Jazz Drums

A 32-part archival presentation from 1989 featuring master drummer Mel Lewis and jazz historian Loren Schoenberg discussing generations of jazz drummers, their techniques, equipment, ensembles, and musical influence.

EXPLORE THE 32-PART ARCHIVE →
COLLECTION 03

Just Jazz

Rediscovered television performances from WTTW Chicago’s Just Jazz, produced by Dan Morgenstern in 1970. HPPAA presents a curated public-access collection connecting archival recovery, research, television history, and jazz education.

EXPLORE JUST JAZZ →
COLLECTION 04
ARCHIVE MIGRATION IN DEVELOPMENT

Dan Morgenstern Research

Research, interviews, writing, film, scholarship, and documentation developed through Hank Hehmsoth’s National Endowment for the Arts- supported work on NEA Jazz Master Dan Morgenstern. The collection is being prepared for long-term public preservation through HPPAA.

VIEW THE CURRENT TEXAS STATE COLLECTION ↗

RESEARCH AS A LIVING PRACTICE

From evidence to public experience

Jazz history lives in recordings, scores, photographs, films, interviews, scholarship, archives, and the memories of the people who made and heard the music.

HPPAA brings those sources into active conversation with musicians, students, researchers, and audiences. Archival work provides evidence; interpretation supplies context; performance allows historical music to be heard again; and digital documentation keeps the work accessible.

The purpose is not simply to preserve the past. It is to make jazz history usable — something that can be heard, studied, questioned, taught, and carried forward.

COLLECTION 01 · TEXAS JAZZ HISTORY

Texas musicians inside the larger history of jazz

Texas Jazz History remains one of HPPAA’s major research collections. The work examines musicians, repertoire, places, scholarship, and cultural memory while connecting Texas stories to the national development of jazz.

Eddie Durham Tribute featuring Double Vision Jazz Ensemble at Texas Music Museum in Austin.

ANCHOR RESEARCH PROJECT · EDDIE DURHAM

From San Marcos into the sound of swing

Born in San Marcos in 1906, Eddie Durham became a composer, arranger, trombonist, guitarist, and an important innovator in twentieth-century jazz. His work helped shape major bands led by Bennie Moten, Jimmie Lunceford, and Count Basie, and he was among the early musicians to expand the role of amplified guitar in jazz.

HPPAA’s Durham research combines archival interviews, scholarship, new arrangements, live performance, historical commentary, museum programs, festivals, documentary media, and digital preservation.

TEXAS JAZZ HISTORY · ARCHIVAL FILM

How Eddie Durham Helped Change American Jazz

This historical feature draws on interviews recorded through the 2018–19 National Endowment for the Arts Art:Works project Reminiscences of NEA Jazz Master Dan Morgenstern.

Dan Morgenstern, Phil Schaap, Loren Schoenberg, and Doug Lawrence illuminate Durham’s importance as a composer, arranger, trombonist, guitar innovator, and contributor to Southwestern and Kansas City jazz traditions.

The interviews demonstrate how one archival research project can illuminate another: national jazz scholarship returning to a Texas-born musician whose influence extended far beyond Texas.

Produced by Hank Hehmsoth · archival interviews recorded in New York City · HPPAA Jazz History & Research

TEXAS JAZZ HISTORY · PUBLIC CHAPTERS

Research returned to public life

The Durham collection moves between research, museums, festivals, live performance, education, and community history.

JUNE 21 · 2026

COMPLETED

Texas Music Museum
Austin

Double Vision Jazz Ensemble, guest artists, new interpretations, and historical remarks by Texas jazz scholar Dave Oliphant.

OCTOBER 10 · 2026

COMPLETED

Eddie Durham Jazz Festival
San Marcos

Durham’s music and historical context returned to Eddie Durham Park for the annual San Marcos public celebration.

MARCH 7 · 2027

CONFIRMED

Eddie Durham Comes Home
Texas State Performing Arts Center

Double Vision Jazz Ensemble with guest artists in a major performance and public-history project supported through a City of San Marcos community arts grant.

EXPLORE THE 2027 PROJECT →

BEYOND TEXAS

HPPAA’s expanding jazz research archive

Texas jazz remains a foundational HPPAA research area, but the organization’s archival work now extends into broader American jazz history, oral history, television archives, performance practice, and long-form research collections.

COLLECTION 02

The History of Jazz Drums

Master drummer Mel Lewis (1929–1990) and jazz historian Loren Schoenberg examine the musicians, techniques, equipment, ensembles, and evolving musical language of jazz drumming in an extensive 1989 presentation.

HPPAA preserves and presents the complete 32-part video series as a public jazz-history and educational archive while the original videos retain their existing HanksJazz histories.

COLLECTION 04 · IN DEVELOPMENT

Dan Morgenstern Research Archive

Hank Hehmsoth’s multi-year research project on NEA Jazz Master Dan Morgenstern includes interviews, writings, film and television research, artist portraits, lectures, documentary material, and archival resources developed through Texas State University and National Endowment for the Arts support.

HPPAA is developing a long-term preservation home for this work so that the research can remain publicly accessible beyond its current university-hosted environment.

COLLECTION 03 · ARCHIVAL TELEVISION RESEARCH

Just Jazz — Rediscovering Historic Jazz Television

HPPAA’s archival work includes surviving performances from Just Jazz, a remarkable television series produced by jazz historian Dan Morgenstern for WTTW Chicago in 1970.

Directed by Bob Kaiser, Just Jazz captured important artists including Erroll Garner, Gene Ammons, Dexter Gordon, Don Byas, Billie Eckstine, Ray Nance, and others.

Hank Hehmsoth recovered and researched rare surviving recordings while investigating Dan Morgenstern materials at the Institute of Jazz Studies at Rutgers University. The related work includes research at Rutgers and the National Endowment for the Arts-supported Morgenstern project at Texas State University.

HPPAA presents a curated YouTube collection as a public arts-education and jazz-history resource. Original video uploads remain with their existing channels.

Research and publication credits: Research and recovery by Hank Hehmsoth; original television production by WTTW Chicago, 1970; producer Dan Morgenstern; direction by Bob Kaiser. HPPAA presents the playlist as an institutional curator and educational resource.
TEXAS STATE RESEARCH DOCUMENTATION ↗

HPPAA’s public Just Jazz playlist · 11 video entries. The collection links to existing recordings and preserves their original upload histories.

SCHOLARSHIP + INTERPRETATION

History begins with evidence

HPPAA’s research work is strongest when documented scholarship, archival evidence, first-person testimony, and informed musical practice illuminate one another.

TEXAS JAZZ SCHOLARSHIP

Dave Oliphant

Poet, writer, editor, and jazz historian Dave Oliphant has helped establish a broad account of the artists and communities that shaped jazz in Texas. His scholarship provides historical context for Eddie Durham, Kenny Dorham, and many others.

EXPLORE TEXAN JAZZ ↗

HISTORY IN PERFORMANCE

Research becomes repertoire

HPPAA and Double Vision Jazz Ensemble translate historical inquiry into new arrangements, live interpretation, guest collaborations, and concise public commentary. Audiences encounter the music as music while gaining a clearer understanding of the people, places, sources, and creative decisions behind it.

MEET DOUBLE VISION →

READ · WATCH · EXPLORE

Continue into the research

RESEARCH · EDUCATION · PUBLIC PROGRAMS

Bring jazz history into public life

HPPAA welcomes conversations with museums, libraries, archives, schools, colleges, festivals, historical organizations, researchers, and community partners interested in jazz-history research, collections, exhibitions, concerts, talks, educational programs, and interdisciplinary public-history projects.